Plus le pouvoir de résolution est élevé , plus on pourra voir de détail sur l’image finale jusqu’à atteindre le nombre de Mpix du capteur, Le piqué atteint son maximum à des ouvertures de F5.6-F8 pour la plupart des optiques au delà on a de la diffraction sur le capteur APS-C, Dans les critères d’achat d’une optique bien d’autres critères doivent entrer en compte : précision et vitesse de l’AF , rendu du flou d’arrière plan et du bokeh , rendu des couleurs, AC, résistance au flare, distorsion …, Donc ne vous baser pas uniquement sur le classement de piqué pour votre choix d’objectif, Dans cet article je me concentrerai uniquement sur l’aspect piqué de chaque objectif les autres critères étant indépendant de la densité de pixel de votre boitier, vous pouvez consultez mes test existant la conclusion est la même quelque soit le boitier sur ces critères, Pour la séries des A6xxx, seul 2 modèles ont une stabilisation sur capteur donc en video on prendra le critère de la stabilisation optique en premier si l’on est pas équipé du A6500 ou du A6600, More than 75 APSC lenses have been evaluated on the blog. Oui il y a beaucoup de variabilité sur le 16-70 Il manque juste les objectifs en monture A (avec un adaptateur) qui, d’après mon expérience, donnent plutôt de bons résultats sur un A6500. The more expensive lens coatings help control this. Honestly, every lens is good and every better lens is super expensive! Les résultats sont excellents et au niveau des meilleures focales fixes APSC, Cette optique pourra sans problème vous servir dans tout travail professionnel de Mariage, reportage, paysage, photo de rue, sports…, The Sony PZ E 18-105 F4 G OSS (600 euros) is certainly to be recommended as all around lens for the A6xxx series but specially for video work, Thanks to its constant aperture , big zoom (6x) and power zoom it is particularly at ease and very versatile for video work, Quality in photography is very good globally for an APSC zoom, It a big step up compared to the kit lens E PZ 16-50 and results are much better than any of the 18-200mm available lenses, As with most power zoom the precision of the manual zooming is not ideal as it action the motor for pure photographic works you will be more at ease with a non motorized zoom, Le Sony PZ E 18-105 F4 G OSS (600 euros) est certainement à recommender comme optique universelle sur la série des A6000 mais aussi comme optique video, Grâce à son ouverture constante de F4 , son zoom puissant (6x) et motorisé, il est particulièrement à l’aise en vidéo, Les qualités en photos sont très bonnes globalement pour un zoom APSC, Comparé à l’optique de kit le E PZ 16-50 , le saut qualitatif est très significatif , il est aussi bien meilleur que tous les 18-200mm disponible pour la monture E, Comme avec tout zoom motorisé, si l’on zoome manuellement en tournant la bague de zoom , celle ci manque de précision par rapport à un zoom motorisé, The E PZ 18-110mm F4 G OSS has all that is required for a cine lens, The only issues is maybe the min focusing distance of 95cm which is a bit long, Compared to the Sony FE PZ 28-135mm F4 G OSS, the optical quality is clearly better, the real manual zoom allow for a very fast zoom if required and power zoom speed is much faster, I would not recommend its usage on a A6000 or for Still photography but coupled with an FS7 it will be perfect match (this lens is often sold as the “kit” lens for the FS7 II), Le FE PZ 18-110mm F4 G OSS a toutes les qualités d’une optique cinéma, Le seul potentiel problème est la distance minimum de mise au point qui est un peu longue à 95cm, Comparé au Sony FE PZ 28-135mm F4 G OSS , la qualité optique est clairement meilleure, le zoom manuel (débrayage du moteur) permet de faire un zoom très rapide, le Power Zoom lui est nettement plus véloce que sur le PZ 28-135mm, Je ne recommande pas son usage sur un A6000 pour de la photo ou de la vidéo, mais couplé avec une FS7 ce sera un couple parfait; c’est d’ailleurs l’optique de “kit” recommandé avec la FS7 II, The Sony 18-135mm F3.5-F5.6 is a very good lens giving much better results than the kit lens (PZ16-50) or the 18-200mm (460gr & 97mm length), If you do mostly Photos and want the biggest range possible without sacrifices on the quality then the 18-135 is perfectly suited and could be your unique travel zoom, It also has Optical stabilisation which makes it suited for video, Le Sony 18-135mm F3.5-F5.6 est une très bonne optique donnant de bien meilleur résultat que le zoom du kit (PZ16-50) ou que le 18-200mm (460gr & 97mm longueur), Si votre usage est principalement la photo et que vous voulez le plus grand zoom possible sans sacrifier la qualité alors le 18-135 sera parfait comme unique objectif pour voyager, La Stabilisation optique sera un gros plus pour la vidéo, 135 mm – ¹⁄₁₂₅ s à ƒ – 5,6 à ISO 160-618-2. The lens is not without compromise with a very important distortion for which automatic corrections should alsways be on, a small aperture at 350mm making ISO climbing fast, a medium resistance to flare and a minimum focusing distance a little bit too big, It does not reach the excellence of the Sony E 16-55mm F2.8 G in term of color rendition and bokeh but overall it is an excellent lens for the price and a very versatile telephoto lens, Le nouveau Sony 70-350 F4.5-6.3 G OSS (900 Euros) est le zoom téléphoto pro que nous attendions pour les boitiers APS-C. C’est l’équivalent de l’excellent Sony 100-400 mm mais 2,5x moins cher, Le piqué est très bon à excellent et le flou d’arrière plan est très doux à 135mm et au delà. My Sigma 30mm f/1.4 EX DC Lens Review – Hands On Real World Experience, My Sony RX10 III Review – Real World Perspective, Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS Lens @. Budget: Sony FE 28mm f/2 And mark the mail as "non-spam" to see the future newsletter. Click here to share a rumor or news anonymously! When you make the cameras cheap, lenses should also be. I was wondering if you ever considered reviewing some of the really cheap lenses from Meike or Neewer. And you have to define the source with “Source: SonyAlphaRumors.com” (working link). I hope one day good Sony lenses are affordable. Not the case with disposable cartridges… Different lenses offer different possibilities for capturing the world, so they offer something for the money in other words, depending on your needs…. For each of them click on the link to find a full review evaluating all criteria : sharpness, color rendering, AF, Bokeh, distorsion …. https://tokinalens.com/product/at_x_116_pro_dx_ii/. Best wide-angle zoom lens: Sony E 10-18mm F4 OSS I’m fully aware of what the best lenses can do, but often they are not needed depending on the application and budget. You may wonder why a lens is so expensive, or why a certain focal length is good for certain types of photography and so fourth. If you can deal with the heavy vignetting in post production and shoot mainly landscape or external architecture (no field curvature issue) then it can produce stunning images, For indoor architecture , you will need to use it at F8 to avoid the field curvature issue. Overall quality is a little bit less due to the all-in-one nature of the design and optics, but I would still highly recommend this lens for those needing max range in one lens. Standard Prime: Sony Planar T* FE 50mm f/1.4 ZA It is sharp across from f2. You cannot copy more than 20 words from any of our posts. All lenses suffer from this, but the super high quality lenses maintain sharpness from corner to corner really well usually. Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. son ouverture quelque peu modeste de F2.8 qui permet certes d’isoler un portrait et d’avoir un fond flou mais pas autant que l’on voudrait parfois , son Bokeh qui présente parfois des tranches d’oignons, son autofocus correct mais pas ultra rapide, Echelle de distance avec rapport de grandissement, Longue course de 270° pour la mise au point avec un bon amorti, Prix modéré (380 euros) au vu des performances, Piqué excellent dès F1.8 et très consistant sur tout le champ. Having said that, one or two primes will help. This lens is newer, but appears to be a killer option for those in the market for max speed and affordability. The 16-70mm f/4 OSS ZA lens for example would be nice if it was around $699 or so… I was thinking about the Kamlan 50f1.1 MkII. With Sigma MC-11 and Minolta ranges does the AFC work as fast? *Please also check your spam folder if you don't get the confirmation mail. #4 Telephoto Lens Option – Best Possible Quality and Max Zoom Option w/ 2x Converter, #1 Macro Photography Lens Option – Best Quality and can be used for Portraits, #2 Macro Lens Option – Top Quality and can be used for Portraits, #3 Macro Lens Option – Affordable and Good Quality, #5 macro Lens Option – Insane Magnification. Fast Wide Angle: Rokinon/Samyang 21mm f/1.4 These days Sony is doing really well and I wish the prices would come down a bit on some of the lenses for sure. (Click Here)Tip Jar: (Click Here), Thanks for checking out SonyAlphaLab and have a wonderful day . Merci pour cet excellent comparatif très complet. Its relative fast aperture allow some nice blurry background effect and will be ideal for portrait, Optical stabilisation is really helpful in video , and AF is efficient in photo and video, The sharpness of the lens is very good when you close down, but wide open it is only good. Usually in the corners it’s more noticeable, and particularly on wide angle lenses I find. Lens Coatings – Helps prevent glare, increases contrast, and provides better color renditions. However, you have so many options if you want to use lens adapters for example, or cheaper built lenses like the Sigma units . We can however, make a small commission if you click a product link that your interested in. Or else it’s like free printers with super expensive cartridges. Lors d’un test à l’aveugle beaucoup ont cru voir un A7III avec un 85mm, The Sigma 60mm F2.8 DN (200 euros) is a very good lens with excellent sharpness & a very good color rendition, For portraits you will look more at the new Sigma 56mm F1.4 DC DN or the Sony E 50mm F1.8 OSS (300 euros) that both have faster aperture. I am by no means an expert in this area, so please take these suggestions as such… What is usually needed for this is speed and often a wide angle lens. 1: talk or opinion widely disseminated with no discernible source I see your point though, don’t get me wrong… Often times you can get many lenses as opposed to one top quality optic, and that can prove to be way better for your given circumstance. In the rest of the article we will evaluate and rank only the sharpness aspects, Plus de 75 optiques APSC pour la monture E ont été testées sur mon blog, Cliquer sur le lien de chaque optique pour consulter le test complet qui évalue tout les aspects : piqué, rendu des couleurs, AF, Bokeh, distorsion …, Dans la suite de l’article on évaluera et classera uniquement sur le critère de piqué, Some thoughts on these first results on the Sony 24Mpix sensor, For Video if you need a stabilised lens (which is the case if you don’t have the A6500 or A6600) then you should pickup among the below very good Sony lenses, Pour de la video si une optique stabilisé est requise (ce qui est le cas hors A6500/A6600), seules des optiques Sony sont disponibles. High quality optics cost money, and the larger the sensor, the larger the glass needs to be. Best Affordable Video Light? Not sure if there was a design change at some time in the past. If you are unaware, my perspective is mostly real world photography with video of the kids and of course recording my reviews, processing my photos for the web, prints, etc… I can’t really afford the top quality optics these days with the family and all, so I tend to be more modest with my lens choices and recommend based on that perspective. This is subjective to a large degree in my opinion and lens speed has a lot to do with the Bokeh. It focuses only on the resolving power of the lens = sharpness, Optical sharpness on APSC is obtained around F5.6-F8 at F11 diffraction is already visible and reduce the sharpness. and don’t forget you can use any of the full frame lenses on a A6xxx including a Sony FE 200-600mm F5.6-6.3 G OSS ! Bargain: Sony FE 50mm f/1.8 (stopped to f/2.8) May be you had a bad copy. A more affordable option would be something like the E 18-105mm f/4 G OSS Lens, but f/4 is not the best for super low light…. Many other criteria needs also to be considered before choosing a lens : AF accuracy and speed, Bokeh, background blur, color rendition , CA , resistance to flare, distorsion …. It’s also normal to be nervous about asking questions in fear of coming across like somebody who does not know what they are talking about. The lenses are not disposable, and the re-sale value is very high! There is an older Sony Vario-Tessar T E 16-70mm f/4 ZA OSS which is cheaper and lighter than this lens and has optical stabilization, but the maximum aperture is f/4, so the new Sony E 16-55mm f/2.8 G is, we think, the best 'pro' lens for Sony APS-C cameras. Thanks, Fisheye avec projection stéréographique et remplissage de tout le champ de l’image, Très beau flou d’arrière plan et très beau rendu des couleurs, Pas d’aberrations chromatique ou de flare, Prix raisonnable (519 euros) au vu de sa qualité et promo régulière qui le mette à 400 euros, Pas d’aberrations chromatiques ou de flare, Il offre une projection stéréographique qui permet d’obtenir des lignes droites avec un correcteur de fiche comme le Hemi plugin, La bague d’ouverture sans clics est un plus en vidéo, Excellent piqué sur tout le champ avec déjà de bonnes à très bonnes performances à pleine ouverture, Rendu des couleurs convenable mais légèrement fade, Prix relativement élevé mais OK pour la qualité proposée, Aberrations chromatiques à pleine ouverture, Bague de zoom très agréable et permettant un zoom progressif sans à coups, Très bonne ergonomie avec ces différents boutons, Coins bons lorsque l’on ferme le diaphragme, Vignettage et distorsion corrigé automatiquement, Excellent piqué sur tous le champ à toutes les focales et ce dès la pleine ouverture. This is why checking out real world reviews is so critical when it comes to making expensive lens purchases. La stabilisation optique est un must et permettra d’utiliser l’objectif sans aucun souci sur tous les boitiers Sony APSC, L’objectif comporte toutefois des compromis avec une très importante distorsion qui nécessitera des corrections obligatoires, une faible ouverture qui fera grimper les ISOs très rapidement , une résistance au flare moyenne et une distance minimum demise au point assez (trop) importante, L’objectif n’atteint pas l’excellence du Sony E 16-55mm F2.8 G en terme de rendu des couleurs et de bokeh mais globalement c’est un excellent objectif pour son prix et un zoom très polyvalent, The Samyang 85mm F1.8 ED UMC CS is an excellent lens, Le  Samyang 85mm F1.8 ED UMC CS est une optique de très haut niveau, Very few lenses can fully exploit the full potential of the 24Mpix sensor, if you are using mostly prime lenses then the trio of Sigma lenses is the way to go, If you want to use Zoom then the best lenses are the new Sony G, If you are ok with manual lenses the below lenses provide excellent results. #1 choice for best all-in-one option- Priority = Photography and High Quality, #1 choice for best all-in-one option – Priority = Video + Photography All trademarks and brands belong to their respective owners. I have such limited time these days that I have not considered reviewing them, sorry. The newer E 18-135mm OSS Lens is a fantastic all-in-one lens option in my opinion for the money and offers killer range and sharpness, but does suffer from some significant distortion, and lacks some contrast when compared to the top quality lenses. Best Telephoto Zoom E-Mount Lens. Veydra 25mm T2.2 Mini Prime Sony E-Mount Lens Format: Super 35/APS-C | Price: $949 Jay, Start typing to see results or hit ESC to close, Sony FE 20mm f/1.8 G lens Vs FE 24mm f/1.4 GM Lens – Lab Testing…, Sony A6400 Tutorial | Aperture, Shutter Speed, Manual Mode, and Bulb Mode Explained, Sony Camera Technology Guide | DSLR vs SLT vs Mirrorless, Lens Filters – ND Filters, Polarizers, UV Filters…. Les résultats sont superbes avec un effet équivalent à un 85mm F1.4 en plein format. Below is an example of what a fisheye lens does, basically extreme distortion for effect…. The way the lens renders this out of focus area can be buttery smooth, or it can be busy looking and not so easy on the eyes. – Neewer Upgraded 660 Bi-Color LED Video Light Review, My Sony FE 90mm f/2.8 Macro G OSS Lens Review, My Sony FE 100mm f/2.8 STF GM OSS Lens Review. RUMOR: New Sigma 105mm f/2.8 ART FE lens will be announced by end of of the month! Pergear 25mm f/1.8 Lens Review – $69 US, Worth It?? Speed – Refers to the Max aperture of a given lens. Ces optiques atteignent au mieux le niveau très bon quand fermée vers F5.6-F8. , elle se concentre uniquement sur l’aspect piqué de l’objectif, Le piqué /  pouvoir de résolution d’une optique est mesurée par sa capacité de différentier deux lignes ou points d’un objet. Best lenses for Sony full-frame mirrorless cameras. It was specially designed for mirrorless and the lens score very good to excellent in all domains. Cette optique a été spécialement conçue pour les hybrides et elle affiche de très bonnes à excellentes performances dans tous les domaines, The Meike 28mm F2.8 is a cheap pancake lens (80 euros) that delivers very good performances for its price, Sharpness is very good to excellent including in the corners , much better than the Sony pancake at a fraction of the cost (Sony E 20mm F2.8 et Sony E 16mm F2.8) but it is a manual lens, For street photography / landscape this is not an issue : set yourself at F8 , 5m focusing distance and everything between 2.5m and infinity will be sharp, Le Meike 28mm F2.8 est une optique pancake bon marché (80 euros) qui délivre de bonnes performances pour son prix, Le piqué est très bon à excellent y compris sans les coins : une bien meilleure performances que les optiques pancake sony (Sony E 20mm F2.8 et Sony E 16mm F2.8) mais c’est une optique manuelle, Pour de la photographie de rue / Paysage ce n’est pas trop dérangeant en se mettant à F8 et 5m de distance de mise au point tout sera net de 2.5m à l’infini, The Sigma 30mm F1.4 DC DN Contemporary à 380 euros is a solid performer in photo for a Sony A6000, Its angle of view correspond to 45mm so it will be perfect indoor for half body shot or outdoor in many situations (e.g .street photography), The Sigma 30mm F1.4 DC DN has strong arguments in photography but has weaknesses in video, Le Sigma 30mm F1.4 DC DN à 380 euros est un objectif de choix pour un A6000, Son angle de vue correspond à un 45mm sur plein format. Super Wide Angle: Rokinon/Samyang 12mm f/2 Looks just like the G badge, except it’s all red and fancy looking…, Zeiss Badge – Similar to the G and GM badge from Sony, except the company Zeiss has approved the design and granted the badge permissions. The lens was released in 2013 and since then new lenses from competitors have done better, Le Sony 35mm F1.8 OSS est une bonne optique avec un champ équivalent à 53mm en plein formant. The Meike 35f1.4 is a nice, small lens but only sharpens up towards the edges @f4. Si vous accommodez du fait de devoir post traiter le vignettage et que votre utilisation est principalement pour des paysages et de l’architecture extérieure alors il peut produire de superbes images, Pour une utilisation en intérieur , la forte courbure de champ sera problématique et il faudra l’utiliser à F8-F11, The Samyang 8mm F2.8 UMC Fisheye II is a very good lens, Le Samyang 8mm F2.8 UMC Fisheye II est une très bonne optique, F2.8, Samyang 8mm F2.8 UMC Fisheye II- ISO 100-1-1250 s 027, F11, Samyang 8mm F2.8 UMC Fisheye II- ISO 100-1-500 s 025, The Samyang 10mm F2.8 ED AS NCS CS is an excellent wide angle for your Sony APS-C body, Le Samyang 10mm F2.8 ED AS NCS CS est une excellente optique grand angle pour votre boitier Sony APS-C, F8, Samyang 10mm F2.8 ED AS NCS CS- ISO 100-1-250 s, F2.8, Samyang 10mm F2.8 ED AS NCS CS- ISO 100-1-2500 s, The Yasuhara Madoka 360 (299 Euros) is a high quality Circular fisheye lens For Sony APS-C cameras and produced in Japan, It has very good sharpness from F4 to F11 and without any optical issues, It will be particularly suited to obtain very high quality virtual visit when combined with a panohead like the Tomshot360. Sony only offers two dedicated APS-C telezooms, the budget-friendly E 55-210mm and premium E 70-350mm G. The Best Telephoto Lenses (APS-C) Sony E 55-210mm F4.5-6.3 OSS Review Read the full SonyAlphaRumors privacy and cookie policy by clicking here. Best Lens Options for Sony APS-C E-Mount Mirrorless Cameras, Your support is greatly appreciated as we run this site in our spare time and are not paid. F/1.4 for example is an extremely fast lens, where an f/4 lens tends to be considered slower… The faster the lens the more expensive it is in general. Sony officially teases the new FX6 E-mount camcorder! The Samyang 21mm F1.4 ED AS UMC for Sony E mount is an excellent manual lens that is really worth to discover. Le Kamlan 50mm F1.1 II (< 250 euros kickstarter) est un excellent objectif APS-C à portrait (vu son prix). Better lens coatings cost more money – T* is the current lens coating found on Zeiss lenses for example. #1 Telephoto Lens Option – Zoo, Field Sports, and other long reach photography – Most affordable and Very Good Quality It is desinged for the full frame e-mount cameras, but will work awesome on the APS-C E-Mount cameras for sure! 1.1 The 24Mpx APS-C sensor of the Sony A6xxx series, The below article is the APSC version of the one I made for the A7RIV. Don’t get a lot of chances to be chasing a focus with fast moving objects. This cover only the resolving power of the lens , many other criteria are important to determine wha tis a good lens : Bokeh, AF, Color rendition, size, price, build quality … You can find those in each lens test I made (click on link given in each lens section). Par ailleurs, dans tous les autres tests que j’ai pu trouver sur internet, ce zoom est considéré comme moyen voir mauvais. The optical stabilisation is a must for such telephoto lens and will allow to use it without issue on older Sony APSC cameras like the A6000.